What you're used to, still here
- Drop in the footage, press Sync, get a timeline. No timecode, no clapper.
- Cameras and separate audio recorders lined up to a fraction of a frame.
- Export to Premiere Pro, DaVinci Resolve and Final Cut Pro.
- Drift correction for long recordings.
What's new in Waveline
- Live sync — watch clips slide into place as matches are found.
- Whole days in one pass — crew and card folders are sorted into one device per camera automatically.
- Shoot blocks — separate parts of the day are laid out in order, not stacked on top of each other.
- Clips worth checking are flagged, and N jumps between them. Preview with sound, nudge, lock.
- Native on Apple silicon (M1–M4) as well as Intel Macs and Windows.
- A Premiere Pro panel — sync straight from your timeline or Project panel and get a new sequence in your project.
- Modern formats — HEVC 10-bit, BRAW, R3D, multichannel recorders.
Moving over
There's nothing to convert. Point Waveline at the same footage folders you'd have given PluralEyes, press Sync, and export. Your files are only read, never changed.